I am always in awe of the scope of Tchaikovsky’s imagination. While Idris is terrified the Architects are coming back, Havaer has a less emotive view on things which hints at the truth behind the return of the Architects. He also provides a deeper context to events. In a story about using people as objects, Havaer is an example of what respect looks like. When Havaer has Idris on his ship and can use the other man, he lets Idris go, treating him like a person capable of making his own decisions. When he eventually catches up to them, he demonstrates he is unlike everyone else. He follows Idris and Solace on their misadventures through space, always a few steps behind.
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He shows that for all humanity’s advancement into the stars, they are still petty. Yet, when he warns people of the things he senses in space, that the Architects are coming back, he is not believed.
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Although he is a person, Idris is considered a valuable asset, worth going to war over.
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He is a person with free will, so he will choose when and where he uses his intermediary skills, much to the dismay of the Board of Human Interests and criminals alike. On the other hand, Idris rebels against being used in the same way.
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She doesn’t question this because her purpose is to protect the colonies. Solace is kept in cold storage until there is a war she is needed for. The four threads weave together to give us a story about the failures of treating people like objects. The story is told in four parts Solace, who is an engineered warrior to defend humanities colonies, Idris a free Int who is always on the verge of a breakdown and incapable of sleep Kris, Idris’s lawyer, who saves him from being used for his abilities, and Havaer who works for the Intervention Board as something between a policeman and a spy. We are so tiny compared to the Architects they don’t even see us. For all its achievements, the exploration, pacts with other races, advances in science and technology against the Architects, it’s all meaningless. I was immediately struck by how insignificant humanity is. We start in the final battle between an alliance of beings and the Architects because the Architects are indiscriminate about what they reshape to their liking. The Shards of Earth is the first in a new trilogy by Adrian Tchaikovsky, and if the other two continue in the same vein as this, then it will be an epic masterpiece. He just wants to be left alone, and it’s the one thing he won’t get because somewhere out in the black of space, the Architects are coming back. So, he eeks out a living on the edges of civilisation, piloting a deep space salvage ship where he can hide from civilisation. His skills are so highly sought after that some will resort to kidnap to possess him. Idris Telemmier is one of the few Ints who survived that war. As a desperate last attempt at survival, humanity sends Intermediates, men and women with psychic abilities, on battleships with genetically bred female warriors as a final stand. The Architects move through the universe, changing the shape of the objects they come into contact with, ships, moons, planets, with little thought for the indigenous lifeforms they are destroying in the process. But when they discover the Architects, they find a race so vast they are beyond human comprehension, and humans are too insignificant to notice. Humanity has left Earth, reaching for the stars, making new homes and allies among the beings they meet. The Shards of Earth by Adrian Tchaikovsky